Part 6:  U. S. Government Knowledge of “Interplanetary” Craft, 1942 – 2011

“On 7 July 1947, Lt. General Nathan Twining arrived at Alamogordo AAF for a secret meeting with AAF Chief of Staff Spaatz and to view recovered remains of craft from LZ-2 (Trinity site).”

- War Department TOP SECRET Interplanetary Unit
Memorandum dated July 22, 1947

 

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Part 5:  U. S. Government Knowledge of “Interplanetary” Craft, 1942 – 2011

“It is the collective view of this investigative body, that the aircraft recovered by the Army and Air Force units near Victorio Peak and Socorro, New Mexico, are not of U. S. manufacture.”

- Lt. General Nathan Twining, Commander,
Air Materiel Command, Wright Field, Ohio, July 1947

 

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Part 4:  U. S. Government Knowledge of “Interplanetary” Craft, 1942 – 2011

“The NSC felt investigations of UFO sightings and incidents had to continue in secrecy without any public knowledge. ...the fact that an Alien was captured alive and survived for three years under secrecy cannot be released to the public for fear the information would be obtained by SHIS.”

- Page 7, “Executive Briefing, PROJECT AQUARIUS (TS)”

 

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Part 3:  U. S. Government Knowledge of “Interplanetary” Craft, 1942 – 2011

“Missile Maintenance examined the missile and warhead and found the nuclear components missing from the warhead.”

- Ellsworth AFB Complaint Report, November 16, 1977, HELPING HAND and COVERED WAGON UFO Security Violations

 

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Part 1:  U. S. Government Knowledge of “Interplanetary” Craft, 1942 – 2011

“This Headquarters has come to a determination that the mystery airplanes are in fact not earthly and according to secret intelligence sources, they are in all probability of interplanetary origin.”

- George Marshall, Army Chief of Staff, March 5, 1942

 

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Part 4 – Corguinho, Brazil: Chemist and Biophysicist Examine Samples of Urandir Oliveira’s Bed Sheet

“I've never seen anything like this. This takes a very, very high precision kind of energy, probably at the molecular level, to transform this because it changed the internal energy of the material. Whatever the energy was, it was extremely precise.

--W. C. Levengood, Biophysicist, Pinelandia Biophysical Laboratory, Grass Lake, Michigan

 

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Part 3 – Corguinho, Brazil: Return from the Non-Human Craft on September 18, 2002

"He saw himself going through the ceiling and then he feels his body touch the bed. But before he actually approached the bed, he could not see that the bed was burned because the way in which he was paralyzed would not allow him to."

– Urandir Oliveira, Farmer, Ecovila Fezenda, Corguinho, Mato Grosso do Sul, Brazil.

 

 

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Part 2 – Corguinho, Brazil: Inside the Non-Human Craft from September 15 – 18, 2002

"(After walking up stairs with the blond being to a second floor), the wall of the craft there transforms into a monitor and they start showing scenes.

– Urandir Oliveira, Farmer, Ecovila Fezenda, Corguinho, Mato Grosso do Sul, Brazil.

 Drawing of the craft that farmer Urandir Oliveira remembers consciously approaching  during his September 15, 2002, abduction from his Corguinho, Brazil bedroom. The same violet light that filled his room and paralyzed Urandir was also in the bottom of the craft where he entered. Drawings © 2003 by Earthfiles.com.
Drawing of the craft that farmer Urandir Oliveira remembers consciously approaching  during his September 15, 2002, abduction from his Corguinho, Brazil bedroom. The same violet light that filled his room and paralyzed Urandir was also in the bottom of the craft where he entered. Drawings © 2003 by Earthfiles.com.

 

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Part 1 – Corguinho, Brazil: Farmer Describes His Transport to A Non-Human Craft on September 15, 2002.

September 15, 2002, 7:30 p.m. local time, body imprints of farmer Urandir Oliveira after he was allegedly lifted in a violet-colored beam from his Corguinho, Brazil, bedroom into an aerial craft. Photographs © 2002 by Felipe Branco.
September 15, 2002, 7:30 p.m. local time, body imprints of farmer Urandir Oliveira after he was allegedly lifted in a violet-colored beam from his Corguinho, Brazil, bedroom into an aerial craft. Photographs © 2002 by Felipe Branco.

 

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